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<channel>
	<title>Jana Traboulsi</title>
	<link>https://janatraboulsi.site</link>
	<description>Jana Traboulsi</description>
	<pubDate>Tue, 25 Feb 2025 22:25:33 +0000</pubDate>
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		<title>Cartes de la dignité</title>
				
		<link>https://janatraboulsi.site/Cartes-de-la-dignite</link>

		<pubDate>Tue, 25 Feb 2025 22:25:33 +0000</pubDate>

		<dc:creator>Jana Traboulsi</dc:creator>

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		<description>Cartes de la dignité خرائط الكرامة


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2023&#38;nbsp;
	
	Cartes de la dignité (Dignity Maps) is a project conceived by the DREAM collective (DRafting and Enacting the Revolutions in the Arab Mediterranean) and Leyla Dakhli. It&#38;nbsp;explores the idea of dignity as a common thread in uprisings and revolutions in the Arab Mediterranean region and since the 1950. It does so through an exhibition that uses various media to showcase different experiences and historical moments related to these events. Based on research and documentation, the exhibition is an attempt to provide answers in the form of sensitive maps enriched with sounds, images, objects, and projections that reflect life trajectories, historical situations, or times of uprisings.
 Exhibited as part of DREAM City Festival (2023) in Tunis and at Marc Bloch Center, Berlin (2024).
— Identity and exhibition design, contributions on sensitive maps and publications in collaboration with Philippe Rekacewicz. Visual collaborator (assisted by Philippa Dahrouj) on “Know Your Ennemy — Know Yourself”, a research project by Candice Raymond.





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		<title>The Sleeper النائم</title>
				
		<link>https://janatraboulsi.site/The-Sleeper</link>

		<pubDate>Tue, 23 Nov 2021 21:26:31 +0000</pubDate>

		<dc:creator>Jana Traboulsi</dc:creator>

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		<description>The Sleeper النائم

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2017 ٢٠١٧
	The Sleeper explores, in texts and drawings, the various bodily positions of refugees in the city of Beirut.&#38;nbsp;
The sleeper in ‘Refugees as City-Makers’ publication,
co-edited by M.Fawaz, A.Gharbieh, M.Harb and D.Salamé, AUB, Beirut.
— Invited contributor (drawings) with Hashem Adnan (texts).



				
			
		
	

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		<title>Weaving Words حياكة الكلام</title>
				
		<link>https://janatraboulsi.site/Weaving-Words</link>

		<pubDate>Sat, 27 Nov 2021 03:50:35 +0000</pubDate>

		<dc:creator>Jana Traboulsi</dc:creator>

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		<description>Hiyakat al-Kalam (weaving Words)

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	2019&#38;nbsp;
	Ḥiyakat al-Kalam (Weaving Words), is the first book in a new Young Readers series from New York University Press’s Library of Arabic Literature. The collection is made up of selections from the tenth-century tales of al-Tanukhi’s “Al-Faraj Ba’d al-Shiddah”.
 Editors: Enass Khansa and Bilal Orfali.
— Illustrations: China ink on paper.


	
	
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		<title>Bidayat بدايات</title>
				
		<link>https://janatraboulsi.site/Bidayat</link>

		<pubDate>Tue, 23 Mar 2021 07:26:14 +0000</pubDate>

		<dc:creator>Jana Traboulsi</dc:creator>

		<guid isPermaLink="true">https://janatraboulsi.site/Bidayat</guid>

		<description>Bidayat بدايات

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2012 - 2022
Bidayat (Beginnings) is a pan-Arab quarterly launched from Beirut in 2012 shortly after the Arab Uprisings started, and conceived as a forum for economic, socio-political and cultural production and exchange aiming to better understand developments in the Arab World. In particular:&#38;nbsp;movements of resistance, protest and change for democracy and social justice in our region and all over the world.&#38;nbsp;Bidayat draws inspiration from the values of freedom and equality, and defend&#38;nbsp;peoples’ right to self-determination. Bidayat’s&#38;nbsp;sections deal with memory and history, visual culture, literature, music, etc. Its&#38;nbsp;contributors are scientists, academics, writers, journalists, critics, artists and practitioners. Bidayat can be accessed on www.bidayatmag.com.&#38;nbsp;Its print edition is distributed in Morocco, Tunisia, Egypt, Sudan, Jordan, Iraq and Lebanon and to independent bookshops in London, Paris, Berlin and Brussels.&#38;nbsp;Bidayat joins academic rigor, professional journalism and esthetic appeal and considers itself a workshop for artistic experimentation and graphic innovation. Contributors to the graphic and visual team: Ziad Bouassi, Ayman Hassan, Lynn El-Hout, Jamal Saleh, Philippa Dahrouj, Khgajag Apelian, Alaa Mansour. — Identity Design, Art Direction (print and web), and Communication. Contributions in Layout design, Editorial illustrations, Infographics, Lettering.
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		<title>The Book of Margins كتاب الهوامش </title>
				
		<link>https://janatraboulsi.site/The-Book-of-Margins</link>

		<pubDate>Mon, 22 Mar 2021 23:33:09 +0000</pubDate>

		<dc:creator>Jana Traboulsi</dc:creator>

		<guid isPermaLink="true">https://janatraboulsi.site/The-Book-of-Margins</guid>

		<description>Kitab Al Hawamesh (The Book of Margins)&#38;nbsp;كتاب الهوامش 

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2017&#38;nbsp;

Kitab Al Hawamesh, originally commissioned
by the Beirut-based cultural art center Dar El Nimr in the context of
its exhibition Midad, takes the form of a complimentary mass-produced
book of 1000 copies 30 of which at a time stand on a bookshelf on the museum
wall. Its content is driven by a research into the artefacts of the Rami
Nimr collection, namely manuscripts, printed books and scribal objects, as well
as through a research on the literature of manuscript practices.&#38;nbsp;At its core, this project intends to explore
and reveal the incredible richness of the book as an artistic object in the
Arab region through a historical investigation. It explores the materiality of
the manuscript, challenges the authority of center and periphery, and animates
this tension through narrative, illustration and graphic design. Ultimately it
is a political project interested in inscribing current design practices within
the rich history they belong to.
The book has been shortlisted for the Jammel Prize 2021 and has been exhibited at the Victoria &#38;amp; Albert museum in London, and toured in Chile, Argentina and the UAE.
— Two-color offset artist book, 1000 copies, 14.8x21cm.&#38;nbsp;Produced by Dar El Nimr, Beirut.</description>
		
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		<title>Cultural Exchange Rate</title>
				
		<link>https://janatraboulsi.site/Cultural-Exchange-Rate</link>

		<pubDate>Wed, 29 Sep 2021 05:03:01 +0000</pubDate>

		<dc:creator>Jana Traboulsi</dc:creator>

		<guid isPermaLink="true">https://janatraboulsi.site/Cultural-Exchange-Rate</guid>

		<description>Cultural Exchange Rate


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&#60;img width="661" height="440" width_o="661" height_o="440" data-src="https://freight.cargo.site/t/original/i/a15471241af283320c88f95612e42725823a6b249e3424ecd2f9b263286afc3b/CER_Tania_El_Khoury_Spielart_Pressebild_JudithBuss_MG2_0120_3cc54eb263.jpg" data-mid="125529613" border="0"  src="https://freight.cargo.site/w/661/i/a15471241af283320c88f95612e42725823a6b249e3424ecd2f9b263286afc3b/CER_Tania_El_Khoury_Spielart_Pressebild_JudithBuss_MG2_0120_3cc54eb263.jpg" /&#62;

	
2019

	Cultural Exchange Rate is an interactive live art project in which artist Tania El Khoury shares her family memoirs of life in a border village between Lebanon and Syria. One marked by war survival, valueless currency collection, brief migration to Mexico, and a river that disregards the colonial and national borders.&#38;nbsp;The audience is invited to immerse their heads into one family’s secret boxes to explore the sounds, images, and textures of traces of more than a century of border crossings.&#38;nbsp;“Cultural Exchange Rate” is based on the artist’s recorded interviews with her late grandmother, oral histories collected in her village in Akkar, the discovery of lost relatives in Mexico City, and the family’s attempt to secure dual citizenship.
— Identity Design, art direction and production of communication material, as well as a variety of graphics and print props for the performance. Team: with Philippa Dahrouj, Lama Charif&#38;nbsp;





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		<title>Still lives</title>
				
		<link>https://janatraboulsi.site/Still-lives</link>

		<pubDate>Tue, 23 Mar 2021 08:41:06 +0000</pubDate>

		<dc:creator>Jana Traboulsi</dc:creator>

		<guid isPermaLink="true">https://janatraboulsi.site/Still-lives</guid>

		<description>مشاهد طبيعية&#38;nbsp;STILL LIVES


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&#60;img width="4769" height="3197" src="//freight.cargo.site/w/1500/q/75/i/6b06675fdb673ce55686c0dec8ee33a9fe927c3efde7bed18989be125ea2b730/the.jpg" data-src="https://freight.cargo.site/t/original/i/6b06675fdb673ce55686c0dec8ee33a9fe927c3efde7bed18989be125ea2b730/the.jpg"&#62;



2015













Still Lives is a series of drawings gathered in a book. They speak of the time spent after sharing lunches or dinners, around coffee, cigarettes and drinks, when leftovers remain on tables, conversations continue, and time is extended. A time called ‘Sobremesa’ in Spanish. These drawings document mundane situations, where the intimate often echoes the larger state of affairs.— Four-color offset artist book, 1000 copies, 10.5x14.8cm.
Produced by Homeworks -&#38;nbsp;A Forum on Cultural Practices 2015, Beirut.&#38;nbsp; 








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		<title>The Unfinished Works of Kevork Kassarian</title>
				
		<link>https://janatraboulsi.site/The-Unfinished-Works-of-Kevork-Kassarian</link>

		<pubDate>Sat, 27 Nov 2021 03:24:44 +0000</pubDate>

		<dc:creator>Jana Traboulsi</dc:creator>

		<guid isPermaLink="true">https://janatraboulsi.site/The-Unfinished-Works-of-Kevork-Kassarian</guid>

		<description>The Unfinished Works of Kevork Kassarian&#38;nbsp;

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&#60;img width="1535" height="1535" width_o="1535" height_o="1535" data-src="https://freight.cargo.site/t/original/i/eba7b5a2ad3b980906245a338cb5b7f78ec61ff16cde36caa3f0ca2e473d7a20/KVK_WORK-02-BADU---POST-02.jpg" data-mid="125753172" border="0"  src="https://freight.cargo.site/w/1000/i/eba7b5a2ad3b980906245a338cb5b7f78ec61ff16cde36caa3f0ca2e473d7a20/KVK_WORK-02-BADU---POST-02.jpg" /&#62;
&#60;img width="1535" height="1535" width_o="1535" height_o="1535" data-src="https://freight.cargo.site/t/original/i/3fdd0185047ccd0da45e409410c3b0aee52d984f3b15dfe90c4dbd605257355a/KVK_WORK-01-FIRST-FILM_P1.jpg" data-mid="125753171" border="0"  src="https://freight.cargo.site/w/1000/i/3fdd0185047ccd0da45e409410c3b0aee52d984f3b15dfe90c4dbd605257355a/KVK_WORK-01-FIRST-FILM_P1.jpg" /&#62;

	2018
	

	
		
		
	
	
		
			
				
					The Unfinished Works of Kevork Kassarian /
The Story of The Man Who Inhabited His Shadow

					is an interdisciplinary art exhibion, conceived by Fadi Toufiq. It is comprised of five
different video installations, in addition to a publication entitled ‘A Fashion Catalogue of Transient Armies in Lebanon’. These unfinished
artworks approach the details of life in Beirut in the 1980s, in an attempt to understand
how war inhabits our world and dominates it outside the times of battle and away from its fire.

					Script writer and Performer: Fadi Toufiq / Director: Hashem Adnan / Scenographer &#38;amp; Light Designer:
Nadim Daibes / Sound designer: Jawad Chaaban / Voice: Rami Nihawi / Communication: be:kult / Production Manager: Shereen Suleiman / Producers: Fadi Toufiq &#38;amp; Hashem Adnan —&#38;nbsp;Identity and Graphic design, Communication, publication design, and printed props. Team: with Philippa Dahrouj and Lama Charif

</description>
		
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	<item>
		<title>Snoubar Bayrout صنوبر بيروت</title>
				
		<link>https://janatraboulsi.site/Snoubar-Bayrout</link>

		<pubDate>Tue, 23 Mar 2021 09:47:20 +0000</pubDate>

		<dc:creator>Jana Traboulsi</dc:creator>

		<guid isPermaLink="true">https://janatraboulsi.site/Snoubar-Bayrout</guid>

		<description>


صنوبر بيروت Snoubar Bayrout

&#60;img width="1476" height="1064" width_o="1476" height_o="1064" data-src="https://freight.cargo.site/t/original/i/7ce749fe008c6b9397ea56dace160a9e0f75689ecaa0c0a5f6d1b98577f01350/SB_all-books.jpg" data-mid="120063052" border="0"  src="https://freight.cargo.site/w/1000/i/7ce749fe008c6b9397ea56dace160a9e0f75689ecaa0c0a5f6d1b98577f01350/SB_all-books.jpg" /&#62;
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Since 2012






	










Snoubar Bayrout is a publishing house specialized in Arabic language literature and essays, with titles from contemporary authors, re-editions of rare old publications, and translations. It focuses on linguistic issues and proposes radical solutions to translation problematics in Arabic (i.e. the use of new diacritics). Close work with typographers has allowed us to cater to these specific needs.
Contributors to the Graphic and Visual Team: Philippa Dahrouj, Jihane Bou Khater, Micheline Khoury, Hussein Nasreddine, Sinan Hallak, Joseph Kaï, Lama Zouein, Sarah Saroufim.
— Visual&#38;nbsp;Identity and Art direction, contributions in layout design, illustrations and lettering.

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	<item>
		<title>Sorry for not Attending</title>
				
		<link>https://janatraboulsi.site/Sorry-for-not-Attending</link>

		<pubDate>Sat, 02 Oct 2021 23:54:56 +0000</pubDate>

		<dc:creator>Jana Traboulsi</dc:creator>

		<guid isPermaLink="true">https://janatraboulsi.site/Sorry-for-not-Attending</guid>

		<description>Sorry for not Attending


&#60;img width="3672" height="2448" width_o="3672" height_o="2448" data-src="https://freight.cargo.site/t/original/i/0956867668e68b60a600a6152ca8d6dc1428fec84d4401783695a28feeea3e72/1-DSC_1479.jpg" data-mid="120527037" border="0"  src="https://freight.cargo.site/w/1000/i/0956867668e68b60a600a6152ca8d6dc1428fec84d4401783695a28feeea3e72/1-DSC_1479.jpg" /&#62;
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&#60;img width="3814" height="2543" width_o="3814" height_o="2543" data-src="https://freight.cargo.site/t/original/i/6bc07f5b5c9d0618cb1a17ba54bb797acf7caa38187733333f861e1c9d32f3fe/4-DSC_1488.jpg" data-mid="120527040" border="0"  src="https://freight.cargo.site/w/1000/i/6bc07f5b5c9d0618cb1a17ba54bb797acf7caa38187733333f861e1c9d32f3fe/4-DSC_1488.jpg" /&#62;

	
2010
	Sorry for not attending is an atist book commenting on the incapacity to attend one’s own exhibition, it has been conceived as a statement on visa entry regulations using the format of a passport. Passport pages have been reproduced, either photocopied or re-drawn, granting visa access to selected real and fictitious destinations. The text quotes actual visa entry forms, placed in association with selected texts or images through collages, in order to create a critical commentary on an unjust global situation.

— Exhibited at «98 weeks Bazaar», «No Soul For Sale», Tate Modern Museum, London, UK, (May 14-16, 2010);&#38;nbsp; Thessaloniki Biennial of Contemporary Art, Thessaloniki, Greece (September 18 – December 18, 2011 ); ISCP – International Studio &#38;amp; Curatorial Program, New York, USA (November 3-6); Plan Bey Beirut and Berlin (2013).





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